Once more I can feel myself speaking through Joyce, but probably not so transparently. A passionate anger is directed at, essentially, God. Bad things have happened to good people, but God is dispassionate. He’s too detached to really care. The […] ↓ Read the rest of this entry…
Yyyyeah, tossing a near-dead Big Boss back through a wall probably wasn’t going to help things, was it. I mean this sincerely, and I say that because this might come off as sarcasm, but what this story really needed was […] ↓ Read the rest of this entry…
Hey, look! Photoshop-added sound effects! They look totally at home with this incredibly sketchy, imprecise art. Anyway, in which we learn The Cheese has telekinetic powers, I guess.
The Cheese is here in silhouette because that’s super ominous. Also because I hadn’t really designed him yet. At this point I think in my mind’s eye he still had legs.
How was this story going to originally play out? I think… The Cheese just shows up, as he does here. There’s no Joyce. Joyce never comes down to rescue anybody. It’s been forever, but I thiiiiiink I’d meant for everybody […] ↓ Read the rest of this entry…
Hooper is based on one of my online friends. You may know him as Hooper. He sometimes posts to the comments section here. He told me he wanted his character to have a chainsaw.
hello hooper
Stop being so conversationalist, mysterious silhouetted guy who you shouldn’t look in the tags for if you don’t want to know his name yet.
I keep forgetting he showed up this early. Yes, this is very clearly an especially early version of this character. That last line is not terribly characteristic of him.
There! That’s it! Completed! Tomorrow, back to terrible, terrible art. It was an interesting line to walk, redrawing this story. I still had to hit certain plot points — Walky stops Sal from shooting Beef, Tony strangles Walky, Sal shoots […] ↓ Read the rest of this entry…
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